365 DAYS

365 DAYS

A selection of work made over the past year.

Put Me Through It, 2025

Vintage meat grinder, red bentonite clay

Initially intended as a performance piece, Put Me Through It concerns the aftershock of domestic violence and consists of red bentonite clay forced through a vintage meat grinder. Strands of broken clay represent the ordeal of (quite literally) getting ‘through it’.

Marcus N. (Black Pill Series), 2025

Multimedia installation, 17’48”

A multimedia installation series based around sound pieces created from interviews with ‘blackpilled’ incels reflecting on their lives, their personal relationships, and mental health.

The Black Pill refers to a particularly nihilistic worldview and has been linked to acts of extreme violence, with young women often being the primary targets.

NightMother (Fury), 2023

Digital video and sound recording, 7’46”

Threshold, 2023

Digital video, spoken word, and field recordings, 5’25”

I Dream of the Same House Again and Again (Death Posture), 2023

Steel, rope, clay, stage blood, LEDs, cables ties, bandages, digital video and sound improvisation, variable dimensions

Garden of Black and Red Agonies, 2023

Digital video and field recording, 7’32”

Promising Young Woman, 2022

Digital photograph, variable dimensions

Love Letter For Oblivion, 2022

Digital video and sound improvisation, 2’23”

Optice, 2022

Live improvisation using voice, percussion, and a looper, 8’38”.

Oh, Cosmos, 2022

Live improvisation using voice, singing bowl, percussion, and a looper, 13’40”

Go Go Greta, 2022

Digital photographs from a 45min performance as Mantis Girl, variable dimensions.

Go Go Greta, 2022

Digital photographs from a 45min performance as Mantis Girl, variable dimensions.

Axile, 2022

Digital video and sound improvisation, 6’14”

Axile, 2022

Digital video and sound improvisation, 6’14”

Stranger, 2022

Writing, audio, and videoloops, 2’31”

As I understand it, you’re supposed to be able to feel your body. Stuff brushing past you; your clothes resting on your skin; the bus seat under your butt and thighs. I can’t feel things like this, even when I try.

 

I used to feel like I was the biggest failure in group therapy sessions when they’d do mindfulness exercises and ask us to think about the physical sensations we felt. I know it was all about grounding us and making us aware of the present, but it just freaked me out and made me panic.

 

I dunno if it’s a sexual assault thing or an autistic whose skin used to feel like it was on fire when I was forced to wear certain fabrics thing. Or maybe it was even a coping mechanism I developed to deal with the other coping mechanism I’d developed where my body had to be physically ‘balanced’ all the time, and I’d end up driving myself even crazier by touching opposite sides of my body to try to compensate for moments where one side would get a sensation while another side wouldn’t thus rendering me ‘imbalanced’. I was especially sensitive to this when I was anxious or upset. (I used to wonder if this was an OCD thing but I was never diagnosed with it so probably not.)

 

None of this is to say that I don’t physically feel pain, or groping hands in packed out bars; I bloody do, and these sensations scream so loudly in my head that they more than make up for the lack of sensation at all other times. But I don’t feel the little things anymore; the things that help situate you in a physical space.

 

It might be linked to the things I mentioned earlier, or it might not. Don’t think I’ll ever really know. But it makes me feel really out of place, even within my own body. Like, I’ve never fit in anywhere anyway, so at least being a stranger in my own body is consistent, I guess.

Stranger, 2022

Writing, audio, and videoloops, 2’31”

As I understand it, you’re supposed to be able to feel your body. Stuff brushing past you; your clothes resting on your skin; the bus seat under your butt and thighs. I can’t feel things like this, even when I try.

 

I used to feel like I was the biggest failure in group therapy sessions when they’d do mindfulness exercises and ask us to think about the physical sensations we felt. I know it was all about grounding us and making us aware of the present, but it just freaked me out and made me panic.

 

I dunno if it’s a sexual assault thing or an autistic whose skin used to feel like it was on fire when I was forced to wear certain fabrics thing. Or maybe it was even a coping mechanism I developed to deal with the other coping mechanism I’d developed where my body had to be physically ‘balanced’ all the time, and I’d end up driving myself even crazier by touching opposite sides of my body to try to compensate for moments where one side would get a sensation while another side wouldn’t thus rendering me ‘imbalanced’. I was especially sensitive to this when I was anxious or upset. (I used to wonder if this was an OCD thing but I was never diagnosed with it so probably not.)

 

None of this is to say that I don’t physically feel pain, or groping hands in packed out bars; I bloody do, and these sensations scream so loudly in my head that they more than make up for the lack of sensation at all other times. But I don’t feel the little things anymore; the things that help situate you in a physical space.

 

It might be linked to the things I mentioned earlier, or it might not. Don’t think I’ll ever really know. But it makes me feel really out of place, even within my own body. Like, I’ve never fit in anywhere anyway, so at least being a stranger in my own body is consistent, I guess.

Sequence #1, 2022

Digital videoloop without audio, 2’00”

Sequence #1, 2022

Digital videoloop without audio, 2’00”

The Persuasive Nature of Your Flesh, 2022

Digital photographs of a 2h15min performance with light projections and prism, variable dimensions.

The Persuasive Nature of Your Flesh, 2022

Digital photographs of a 2h15min performance with light projections and prism, variable dimensions.

Boneyard (Skull, Pelvis, Candle, Light Projections, Prism), 2022

Digital photographs, variable dimensions.

Boneyard (Skull, Pelvis, Candle, Light Projections, Prism), 2022

Digital photographs, variable dimensions.

Alight, 2022

Digital video and sound, 1’01”
Short video experiment playing with a gentle strobing visual effect against the sound of an unplugged cable being tapped while it’s still hooked up to a couple of stompboxes.

Davghters, 2022

Digital photographs documenting a 4hr30 performance with light projections onto the body, variable dimensions.

Davghters, 2022

Digital photographs documenting a 4hr30 performance with light projections onto the body, variable dimensions.

Stranglehold (Red Phase), 2021

Digital video and sound, 2’00”

Stranglehold (Red Phase), 2021

Digital video and sound, 2’00”

PLEASE BE AWARE THAT SOME OF THE ARTWORK, AUDIO AND TEXTS ON THIS SITE CONTAIN THEMES OF SEXUAL ASSAULT AND TRAUMA, AND THAT MANY IMAGES ALSO CONTAIN NUDITY AND/OR SIMULATED GORE, VIOLENCE, AND VISUAL REFERENCES TO BDSM.

 

THIS MESSAGE CAN BE CLOSED BY CLICKING ON THE ‘X’.